Been playing this loads recently. I think it is something of a ‘lost classic’. Funny old band the House of Love, led by Guy Chadwick who appears a bit of a strange cat if you listen to his songs. He’d spent much of the 80s driving around London in his day job as a shop fitter whilst fronting unsuccessful bands in his spare time until he broke through into the “indie scene” with the House of Love in 1987. Two previous albums, both of them confusingly self-titled and referred to respectively by fans as ‘the German Album’ (88-on Creation) and ‘the Butterfly Album’ (90 on Fontana) had cemented a strong following and regular forays into the indie chart with songs such as ‘Shine On’, ‘Christine’ and ‘Beatles and the Stones’ progressively bringing them closer to what looked like mainstream success.

The second album got to number 8 in the mainstream album charts but as their popularity grew all was not well within the band. Guitarist Terry Bickers left the band during an intense tour of the second album amidst rumours of drug induced psychosis. He was replaced by Simon Walker who also left part way through the making of Babe Rainbow. Producer Warne Livesey stood in on guitar and even co-wrote a couple of tracks with Chadwick.

Released in July 1992 Babe Rainbow was met with some positive reviews (the one in Select magazine convinced me to buy it) but it was only in the album charts for 2 weeks then disappeared. It looked as if their time had passed. A lot had happened musically since they formed in 86, the Roses had come and gone (for a while) and “the indie scene” was a completely different thing. For whatever reasons, this album is rarely spoken about now which is a shame because I think it is fucking brilliant. They broke up the following year after releasing ‘An Audience with the Mind’ and that was that (until they resurfaced in recent years releasing new material- They toured recently apparently).

1992 was a strange year for me. From 1989 I had been dabbling with drugs but throughout 91 it was pretty much ecstasy or acid & speed every single weekend. Not as much as some of my mates (many of whom are no longer here) but enough for my head to feel a mess. My last pill was on 31st Jan 91 and that was it for years. Well into my 30s anyway. I was having quite severe panic attacks, was convinced I was losing my mind, felt depressed as fuck and stopped going out for the first half of 92. My mum was a worry to me. She had what in retrospect was severe depression. She would sit in an armchair all day long from morning until night just gazing out of the window. I used to try to talk to her about it but I felt hopelessly out of my depth. I was 21 and living in a damp riddled flat with my older brother who had the behavioural patterns of Albert Steptoe. Empty pizza boxes and Chinese take away cartons filled with dog ends were the ornaments of our bleak dwelling. I was working as a fork lift truck driver in a warehouse with an ex-army supervisor who talked to me as if I was really, really stupid. I rarely talked. I read ferociously. Books and music were my solace. This was my last job before I went into full time education the following year, realised I wasn’t that thick and starting enjoying my life again (a bit anyway).

Anyway, enough waffling. On to the album. It came out in the summer of 92 and I loved it. It was one of my chrysalis albums as I went through a lot of changes and basically grew up a bit (alongside Lazer Guided Melodies by Spriritualized, Between 10th and 11th by the Charlatans and Kool Aid by BAD (the UK only version of The Globe and better ). Played this album LOADS over the next few years. I’ve spent too much time writing that I’m just gonna skip through the best songs and let you make of it what you will.
Side 1:

  1. You Don’t Understand – fantastic opener. Upbeat, sets the scene. Great guitars. Great lyrics “Hunt the tiger and kill the jungle” or “Kiss the fountain and foul the river”. Should be played to every single Tory party member. But they wouldn’t understand.
  2. Crush Me – Mellow. Ok.
  3. Cruel – Trippy Eastern vibe. “Hold back from anger and freeze all your soul, dive through the circle describe what you hold”. Yeah. Dig it. Kula Shaker if they were good.
  4. High in Your Face – Magnificent. Triumphant. Best song on side 1.
  5. Fade Away – Nice end to side one. Very mellow.

Side 2:

  1. Feel – Brilliant song. Great production. We’ve all been there right?
  2. The Girl with the Loneliest Eyes – Exquisite. Luxurious. Peak House of Love. You can dive in it and swim lengths.
  3. Burn Down the World – Now we’re cooking. I think that the previous one, this and the next song all flow into each other brilliantly and get increasingly strange but increasingly good. First line – “Sideways we’re walking, crustaceans we’re talking, now there’s more to earth than the core”..Yer what lad? I read somewhere that Guy Chadwick was smoking massive amounts of weed whilst making this album and in his own words, sent himself a bit mad. The finale to this song is brilliant.
  4. Phillyphile – The weirdometer cranks up a notch. What this is about I have no fucking idea but it sounds fantastic. “Hail the clown and crash the car, load the gun and carry on”. Guy-are you ok mate?” There are loads of weird symbols on the inner sleeve. Fuck knows what they mean either.
  5. Yer eyes – Lovely end to the album. Feels like some sort of redemption. There’s hope.

I suspect that this album won’s get an essential rating by many people. To me it is essential, 9.5 out of 10. That may be because it reminds me a lot of a period where I changed a lot for the better. Musically right up my street. Sixties sounding guitar pop (yes pop) with a psychedelic feel is exactly my cup of tea. Drowsy vocals, lovely harmonies, melodic as fuck and very strong songs. I can hear a lot of other bands in there like the Velvets and JAMC even but the House of Love have their own unmistakable sound. Like I said, this is a lost classic and they should have been a lot bigger. Nice album cover too. I really like that painting by Peter Blake. I read recently that Chadwick re-trained as a carpenter and makes furniture to order for people. He said he wanted to train his hands in such a way that it shocked his mind into thinking differently. Like I said, strange cat.

Hope you enjoy it.

PS -Can someone tell me how to upload the tracks from Spotify please and I will edit this and add them?

Go to the album in Spotify and click on the three dots next to the heart and then click on share (copy album link).

Nice write up. I can relate to the dead end job. Could never see how to make that leap to a better future though. Fair play for getting your head together and going back to school.
I like what I know of House Of Love, which is a few sessions and singles really. Will give this a spin.

Love House of Love, saw them live a lot . Favourite one in Pigalle with Pale saints .
Don’t have to listen to this again . Not my favourite of their albums … I prefer the earlier energy of Destroy the Heart etc but still love it. Girl with …. Is yes, a truly beautiful song . Essential to me

Thank you @fuzzy

I have this and the first two HoL albums on vinyl. While I can still hum several of the tracks on the first two, I cannot remember a single song from this album, so I guess my copy is pretty pristine. Will have to listen to it I guess if only to remind myself why I bought it in the first place!

Nice words Fuzz. I played their earlier stuff quite a bit but never listened to this as I recall. I remember Girl With The Loneliest Eyes though and its big chord change. I think I've seen them at Glastonbury but can't remember, all a bit hazy.

I bought Guy Chadwick's solo album when it came out - Lazy, Soft and Slow, which it is, really different to HoL stuff.

Nice one Fuzzy. Seems we're ages and had similar trajectories. I too had the early stuff but I'd never heard of this.

I do remember the pub I used in the late 80s/early 90s had a jukebox full of shite and about five decent songs. Shine on being one.

Anyway. I'm on it.

Cheers.

Placid this. I love these stories about peoples lives. To me the essence of what music can do. Thank you for sharing.

I saw them last week. The new one is killer. One of the best albums this year.

    Under-the-ground Nice one. What were they like live? Need to have a listen to the new one. Cheers 👍

    Loved this when it came out. Still have it on record in garage somewhere. Good choice, got me thinking about a few early 90's bands I liked, like the auteurs. May have a dig through my stuff to see what I bought back then. Know I bought everything on vinyl until late 90's as I thought it would never go out.

      otis If you have mid to late 90's stuff on vinyl you are sitting on a fortune. The numbers released were paltry - 50/1 re CDs in some cases.

        The opening track is clearly a Stone Roses song. I'm conflicted.

        Cruel is ace - big old drums and a moody build - love it.

        Anchor i did but a lot got soaked with my shed leaking. I bought daft stuff on 10 inch like thay lush spooky lp, sterolab and the likes. Even TYS (not on 10 inch)

          otis I got a ton of TYS on vinyl - load of 10" stuff - Sultans of Ping as well. Happy days.

          Anchor I just knocked out a Verve album for 170. Well chuffed with that. It was so shit I'm not sure I ever even got through an entire listening!!!

            Djpekingman I sold there first single recently - I had two 122 copies - both mint. Did very well thank you!

            1. Very of it's time, got a Charlatans feel to it.
            2. Got that shuffling drum thing going on. Some lovely guitars though.
            3. Banshees (Kiss Them For Me) meets The Beatles.
            4. Filler.
            5. Beautiful after midnight on a winter's night,, whiskeys you know you shouldn't be drinking type tune.
            6. Slowdiveish.
            7. Beautiful.
            8. Puts me in mind of Forest Fire but a bit edgier.
            9. Forgettable
            10. Was this a single. Best song on the album.

            Unaware of this album before. I like the ones that avoid that shuffling drum beat thing loads of bands seemed to have a pop at around about this time. It works for some bands but I don't think it works here. I wasn't really listening to much new stuff around the time this was released. There's no emotional attachment here for me.

            Fade Away, Never and Yer Eyes are lovely tunes, the rest is inoffensive but doesn't do it for me. I can see why someone might like it but it hasn't drawn me in.

            First time I've really listened to this band.

            It's pleasant enough, there isn't much to dislike but it just doesn't hit the spot.

            I've only had one listen so I will persevere with it. Currently it's in the pack but not essential.

            I'd never heard of them before. I didn't hold out much hope for this - but I do like it a lot.
            I'm a bit of a sucker for the fuller-on wall of sound, jangly guitars, hammered drums, but there was more to it than that.
            In parts, it did sound like other indy bands of the era. But at other times, it was anthemic, ethereal, which allowed it to stand apart.
            There were a couple of slower tracks that I wasn't so keen on, such as Fade Away, and The Girl with the Loneliest Eyes. But I'm being picky. Would I be happy to listen to listen this to the end - a definite yes. It ticks my boxes on the essential list.
            A fabulous choice Fuzzy.

            I know a few tracks by T'House of Love and they sound a lot like this. I can only see people in baggy tops and jeans wearing sunglasses and staring at the ground when I listen to it. It sounds very much of its time, not unlistenable by any means, but lacking that certain something for me. I can see why I preferred the Charlatans, and still do.

            However, if you're smoking a fat one, whilst sharing a house with a load of equally stoned mates after downing a few bottles of Holsten Pils and someone puts this on the stereo, then it probably sounds like the best thing you've ever heard, which is fair enough.

              90Piesanhour Made me laugh. Are the baggy tops in your imagination stripey? Please make them stripey.

              Can see the Charlatans comparison in the first song maybe with the bass and drums but thats about it to me. Completely different band and I love the Charlatans. (Well their output from 1990 to 2001anyway).

                fuzzy Funny how we all hear different things while listening to the same tunes. Part of what makes music so wonderful.

                  90Piesanhour

                  Sound. Ta. Plus with the scene back at the shared house, there is a bloke there like this and nobody knows who he is or where he came from right. Cheers.

                  Jon Absolutely. Im made up that people like some songs on this album though. Just been listening to them on a Spotify playlist and Christine & Beatles & the Stones sound like the best things that they ever made. I always associate the charlatans with that swirly hammond sound early on then mid 90s a kind of Faces good time drinking band.

                  Not a band that stayed long on my radar. I remember disliking his voice on the chorus of 'Shine On' and never gave them another thought.
                  This album sounds like someone at Spotify ran an 'early 90s' algorithm and this came out of the other end. It's not particularly offensive. It's just there. I put it on through some headphones as I was working. I was 4 or 5 songs in when I looked back at my phone. It had been on but hadn't grabbed me with anything.
                  I could be doing him a disservice, but I listen and get the impression Chadwick thinks he's better than he actually is.
                  It's a bit insipid (I love that word and now have an excuse to use it). Yep, insipid.

                  Jon Funny how we all hear different things while listening to the same tunes. Part of what makes music so wonderful.

                  Absolutely. Not essential for me, a poor 27/100.

                  They should have been massive. I went to see them two or three times when that first album came out with Bickers in the band. I remember they had stuffed all their semi-acoustic Gibsons with cotton wool. A big shimmering wall of noise. One gig at Hull Uni, my girlfriend of the time got her hand trapped in a stack of chairs near the back, and we ended up in A&E getting x-rayed, our ears still ringing. I remember the drummer use to use mallets on some songs. They had that Velvets / Galaxie 500 thing going on didn't they? I remember Peel playing "Never" and saying "the stadiums beckon". But they didn't make that next leap. McGee reckons Chadwick was the biggest wreck head he ever signed to Creation, which is some achievement when you think about it.

                  • Just realised, I have never listened to this album. I will remedy that now.

                    I like this. Right up my strasse. Going to go for a 7/10.

                    There is a Peter Blake painting in Newport art gallery that looks like the cover. I can’t remember the detail though. I need to go back there and have a look

                    One of the best gigs I ever saw. Boston Arms 1988 just before the first lp was released, basically a room above a pub. Didn't know much about them but a mate asked and I said why not? Bickers was awesome that night and they made a gorgeous, thrilling racket. Still have an image of me bouncing amongst the bodies at the front, looking up at the stage and thinking 'fuck yeah'. I look back and recall that moment as one of those in your life where you feel really alive.

                    Got handed a flexi (a 'fuck' version of Shine On, not as exciting as it sounds) on the way out and picked up the album a while later. Still listen to a few tracks now - Salome and Love in a Car - but that album with The Beatles and The Stones was a bit meh and they lost a lot when Bickers went.

                    Never knew this album existed and it's not as if I've missed out, is it. A bit baggy, a bit 60's pop-psych, a few hints of early HoL, a bit wafty.

                    Still, a great write up. That's been the best thing about about this - not the music because let's face it most of you have pretty shocking taste - but the stories behind the choices.

                    12 days later

                    Well I like the opener, all I know about this lot is si si si shine on

                    This is a bit wishy washy wanky

                    I still always go by Noah and his requirement of a good song to remind you of marching music