The sound quality and separation on this track is immense. Made me dig and add it to a couple of playlists I run.
There's some interesting words in this description. I think they could have easily added a minute onto this track, by duplicating a couple of parts.
"Wayne Carson wrote "The Letter", built on an opening line suggested by his father: "Give me a ticket for an aeroplane". Carson included the song on a demo tape he gave to Chips Moman, owner of American Sound Studio in Memphis, Tennessee. When studio associate Dan Penn was looking for an opportunity to produce more songs, Moman suggested a local group, the DeVilles, who had a new lead singer, sixteen year-old Alex Chilton. The other four members of the group that played on the session were Danny Smythe on drums, Richard Malone on guitar, John Evans on organ, and Russ Caccamisi on bass.[6] Penn gave the group Carson's demo tape for some songs to work up.[5] With little or no rehearsal, the group arrived at American Sound to record "The Letter". Chilton recalled:
We set up and started running the tune down ... [Dan] adjusted a few things on the organ sound, told the drummer not to do anything at all except the basic rhythm that was called for. No rolls, no nothin'. The bass player was playing pretty hot stuff, so he didn't mess with what the bass player was doing.
Penn added: "The guitar player had the lick right—we copied Wayne's demo. Then I asked the keyboard player to play an 'I'm a Believer' type of thing". Chilton sang the vocal live while the group was performing; Penn noted: "I coached him [Chilton] a little ... told him to say 'aer-o-plane,' told him to get a little gruff, and I didn't have to say anything else to him, he was hookin 'em, a natural singer." He later explained, "[Chilton] picked it up exactly as I had in mind, maybe even better. I hadn't even paid any attention to how good he sang because I was busy trying to put the band together ... I had a bunch of greenhorns who'd never cut a record, including me".
About thirty takes were required for the basic track. Then Penn had Mike Leach prepare a string and horn arrangement for the song to give it a fuller sound. Leach recalled: "My very first string arrangement was 'The Letter', and the only reason I did that was because I knew how to write music notation ... Nobody else in the group did or I'm sure someone else would have gotten the call." Penn also overdubbed the sound of an airplane taking off to the track from a special effects record that had been checked out from the local library. He explained:
That was a big part of the record ... When I finished it up, I played it for Chips [Moman], and he said, "That's a pretty good little rock & roll record, but you've got to take that airplane off it." I said, "If the record's going out, it's going out with the airplane on it". He said, "Okay, it's your record."
The DeVilles were renamed the Box Tops and "The Letter", at only 1 minute, 58 seconds, was released by Mala Records, a subsidiary of Bell Records."
First record I played for twenty times on the bounce in a long time, though the 1min 50secs does promote that.
I keep expecting Roy orbison to sing "Mercy" at 5 seconds in. That video you posted... the out-a-sync aspect of it really adds a dimension to his cockiness.
It's the best addition to this thread we are running for me. A song I knew, but didn't know (at all).
The Americans did that soulful pop far better than we did. We had the hits, they had the depth.
